Grateful DeadPhiladelphia Civic Center
Philadelphia, PA
April 19, 1984
Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals
*Matrix*
-----------------------------------------------------------------
SBD (shnid=118658):
Recording Info:
SBD -> Cassette Master -> Reel -> Dat (SV3800/48k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 ->
Samplitude Professional v11.2 -> FLAC
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 2, 2012
Notes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction
[11-second cut during Bertha. 16-second cut during Space.]
-----------------------------------------------------------------
AUD (shnid=154718):
This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
Source Info:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Notes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Bertha" (0:20 total), additional 0:05 patch in "Bertha", a 0:06 patch in "Bird Song", a 0:04 patch at the beginning of "The Music Never Stopped", as well as a 4:13 patch in "Drums"
- Fresh transfer
- Pitch Corrected
Mastered by Scott Clugston
November 2021
[Circulated 12/17/21]
-----------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
to Doug Lamarre and Jeff Silberman for recording the show,
to Charlie Miller, Scott Clugston, and Joe Noel for the AUD transfers,
and to Dan Raznick for feedback on the Bird Song mix.
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
December 24, 2023
Set I
-----
d1t01 - Bertha >
d1t02 - Greatest Story Ever Told
d1t03 - Loser
d1t04 - C.C. Rider
d1t05 - Bird Song
d1t06 - Hell In A Bucket
d1t07 - Big Railroad Blues
d1t08 - The Music Never Stopped >
d1t09 - Don't Ease Me In
Set II
-----
d2t01 - China Cat Sunflower >
d2t02 - I Know You Rider
d2t03 - Estimated Prophet >
d2t04 - Terrapin Station >
d2t05 - Drums >
d3t01 - Space >
d3t02 - The Wheel >
d3t03 - Wharf Rat >
d3t04 - Sugar Magnolia
Encore
------
d3t05 - It's All Over Now, Baby Blue
Notes:
The first 1:25 of Bertha in the SBD mix has a boomy, flat sound before it kicks into gear.
The SBD levels were louder for the first couple songs and were reduced to compensate.
A loud burst in Jerry's vocals during Bertha was reduced.
Jeff Silberman's Sennheiser 441 Dat recording, #142045 via Charlie Miller and Joe Noel (5/25/18), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix.
11-second cut in Bertha (in the middle of huge Phil Bombs) and 16-second cut in Space in the SBD source now patched. The most beautiful, ethereal section of Space is where the cut occurs at 6:36 - interesting to go AUD-only here for this transcendent moment.
Tuning sections were trimmed.
Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source.
Grateful Dead
Philadelphia Civic Center
Philadelphia, PA
April 20, 1984
Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals
*Matrix*
-----------------------------------------------------------------
SBD (shnid=103432):
Recording Info:
SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV
Transfer Info:
WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 12, 2009
Notes:
-- Set 2 is seamless
-- This is a re-master of shnid=27775
-- Thanks to Joe B. Jones for his help with the pitch correction
[2-second cut in Cold Rain And Snow. 25-second cut in Drums.]
-----------------------------------------------------------------
AUD (shnid=154736):
This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
Source Info:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Notes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Cumberland Blues" (0:19 total), some crowd and beginning of "Little Red Rooster" (0:33 total), a 1:51 patch in the "Drums > Space" transition, as well as some crowd and beginning of "Keep Your Day Job" (0:15 total)
- Fresh transfer
- Pitch Corrected
Mastered by Scott Clugston
December 2021
[Circulated 12/19/21]
-----------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
to Doug Lamarre and Jeff Silberman for recording the show,
and to Charlie Miller, Scott Clugston, and Joe Noel for the AUD transfers.
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
December 25, 2023
Set I
-----
d1t01 - Feel Like A Stranger
d1t02 - Cold Rain And Snow
d1t03 - Beat It On Down The Line
d1t04 - Cumberland Blues
d1t05 - Little Red Rooster
d1t06 - Brown Eyed Women
d1t07 - My Brother Esau
d1t08 - It Must Have Been The Roses >
d1t09 - Let It Grow
Set II
-----
d2t01 - Scarlet Begonias >
d2t02 - Fire On The Mountain >
d2t03 - Samson And Delilah >
d2t04 - Drums >
d3t01 - Space >
d3t02 - I Need A Miracle >
d3t03 - Morning Dew >
d3t04 - Around And Around >
d3t05 - Johnny B. Goode
Encore
------
d3t06 - Keep Your Day Job
Notes:
2-second cut in Cold Rain And Snow and 25-second cut in Drums SBD now patched.
Jeff Silberman's Sennheiser 441 Dat recording, #139156 via Charlie Miller and Joe Noel (8/25/17), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix.
Some tuning sections were trimmed.
The SBD speed gradually slows to around -0.4% in set 1 and was adjusted to compensate.
There was an 18-second patch in Fire On The Mountain in the SBD source for which levels and EQ were adjusted to compensate. A minuscule cut occurs at the patch's fade in-point that was doctored to not be noticeable. Some brief phase occurs at the patch's fade out-point.
Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source.
Grateful Dead
Philadelphia Civic Center
Philadelphia, PA
April 21, 1984
Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals
*Matrix*
-----------------------------------------------------------------
SBD (shnid=137247):
Recording Info:
SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k)
Transfer Info:
Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 >
Samplitude Pro X3 Suite > FLAC/48k
(1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 14, 2016
[Cuts:]
West L.A. Fadeaway (complete track)
Don't Need Love (1:45 - 3:17)
Not Fade Away (4:34 - 4:52)
Notes:
-- Thanks to Rob Eaton for the Dats
-- Thanks to Joe B. Jones for his help with the pitch correction
-----------------------------------------------------------------
AUD (shnid=154848):
This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
Source Info:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
Notes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Robert Bryant for the Schoeps CMC4 MK41 source which supplies some crowd and beginning of "Alabama Getaway" (0:11 total), some crowd and beginning of "New Minglewood Blues" (0:13 total), a 0:37 patch in the "Don't Need Love", as well as a 7:44 patch in "Drums"
- Fresh transfer
- Pitch Corrected
Mastered by Scott Clugston
December 2021
[Circulated 12/21/21]
-----------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
to Doug Lamarre, Robert Bryant, Rob Eaton and Jeff Silberman for recording the show,
and to Charlie Miller, Scott Clugston, Rob Eaton and Jeff Silberman for the AUD transfers.
Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
December 26, 2023
Set I
-----
d1t01 - Alabama Getaway >
d1t02 - Promised Land
d1t03 - Friend Of The Devil
d1t04 - Me And My Uncle >
d1t05 - Mexicali Blues
d1t06 - West L.A. Fadeaway
d1t07 - Minglewood Blues
d1t08 - Tennessee Jed >
d1t09 - Looks Like Rain >
d1t10 - Deal
Set II
-----
d2t01 - Help On The Way >
d2t02 - Slipknot! >
d2t03 - Franklin's Tower >
d2t04 - Playing In The Band >
d2t05 - China Doll >
d2t06 - Don't Need Love >
d2t07 - Drums >
d3t01 - Space >
d3t02 - Wharf Rat >
d3t03 - Throwing Stones >
d3t04 - Not Fade Away
Encore
------
d3t05 - Brokedown Palace
Notes:
Rob Eaton and Jeff Silberman's Neumann u87 Dat recording, #10035 (6/11/02), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix.
Tuning sections were trimmed.
There's an abrupt cut at the very beginning of Minglewood Blues.
Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source.
The SBD CM or reel generation must have had an old Jerry show on it that was taped over, probably from '74 or'75. The likely Jerry & Merl show is subtly bleeding through in the left channel, but it is only really noticeable during some quiet parts in the recording. I didn't realize this was the actual issue until the Don't Need Love > Drums transition, where you can hear a performance of Tough Mama. This bleeding effect can also be detected at times in the first set as well, mainly as a subtle rumbling sound. It can be heard a little more during Drums/Space and might be a bit distracting during this portion of the show.
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