PRRPGS004 - GENESIS SERIES
THE TAIL OF THE TOUR
May 7, 1976 (Will Rogers Auditorium - Fort Worth, Texas)
CD1
1-1. Dance On A Volcano 7:20
1-2. The Lamb Lies Down On Broadway 5:00
1-3. Fly On A Windshield 3:00
1-4. Carpet Crawlers 5:20
1-5. Story Of Two Virgins 1:27
1-6. The Cinema Show 10:59
1-7. Story Of Harry 1:59
1-8. Robbery, Assault & Battery 5:54
1-9. Story Of An Old Wolf 0:58
1-10. White Mountain 6:33
1-11. Introduction Bill Bruford 1:42
1-12. Firth Of Fifth 8:57
CD2
2-1. Entangled 8:37
2-2. Squonk 6:50
2-3. Story To Supper's Ready 2:41
2-4. Supper's Ready 24:30
2-5. I Know What I Like 6:14
2-6. Our Thanks To The Crew 1:53
2-7. Los Endos 6:59
2-8. It/ 3:36
2-9. Watcher Of The Skies 2:59
Genesis
Phil Collins - Lead Vocals, Drums and Percussion
Tony Banks- Keyboards, 12 Strings and Backing Vocals
Mike Rutherford- Bass Guitars, Guitars and Backing Vocals
Steve Hackett- Lead Guitars and Effects
Bill Bruford - Drums and Percussion
A JOB WELL DONE
*
1976 was indeed a pivotal year for Genesis. Against all expectations, the band had survived the departure of Peter Gabriel and their resulting new album, “A Trick Of The Tail”, was a formidable achievement by any standards. The music was powerful, beautiful and more accessible which was bound to attract more attention from both the media and public. The album proved to be a huge success in every part of the world but the biggest challenge would be met on the concert stage where longtime fans would doubtless be waiting for them with scrutinizing eyes. The time had come for Genesis to face the challenge of performing live without Peter.
For five years, the band had been closely associated with Peter Gabriel’s theatrics and costumes which unfolded in increasingly elaborate stage shows, culminating with the unforgettable live presentation of “The Lamb Lies Down On Broadway”. Phil Collins was understandably keen not to be regarded as a surrogate Peter Gabriel and the band were determined to bring the music to the forefront, letting it be the centre of attention. To the delight and surprise of everyone, Phil proved himself to be not only an accomplished lead singer but also a natural and instantly likeable frontman. His easy sense of humour also ensured that the important connection between band and audience was not lost.
As with their previous tour, Genesis elected to start this one in North America, charting new ground along the way. Such was the case with the concert that we now bring you. Playing in Fort Worth, Texas, was a first for Genesis, and from the audience reaction the band quickly resolved that it would not be their last appearance there. From then on, they would always receive a warm welcome from the fans in the state of Texas.
One particular aspect of the 1976 tour that is often overlooked is the enormous contribution made by drummer and percussionist Bill Bruford. Taking nothing away from Chester Thompson, a fine drummer in his own right who would hold the position with Genesis for 15 years starting in 1977, Bill Bruford was more than just a guest drummer. A jazz drummer in the soul, seasoned in rock music with bands like Yes and King Crimson at the peak of the progressive rock era in the seventies, Bruford had become a true drum genius, capable of adapting to any style of music and leaving his imprint on it.
Such was the case with his all too brief stay with Genesis. Not only did Bill’s playing bring a new dimension to the band’s music but he also helped to provide much needed confidence for the band on stage. For years, they had relied on Phil’s towering talents behind the drums but now that he was fronting the band most of the time, Steve, Tony and Mike really needed a player like Bruford who could put their minds at ease about the percussive aspect of playing live. They knew they could rely on Bill and even draw energy from his imaginative playing. From that point of view alone, any performance from the 1976 tour is well worth a listen. Many fans wish Bill had remained with Genesis longer than he did but, as we all know, this wasn’t to be.
The Fort Worth concert was the last date of the North American tour. Britain and Europe were next on the agenda. But on this last night in America, it was only fitting that Genesis should acknowledge the incredible work of their road crew, without whom touring would have been impossible. These guys who work so hard to make sure that everything goes well and on schedule really deserve huge credit and on that night in Fort Worth, Phil made sure they were applauded for their efforts. A wonderful gesture. We hope you will enjoy this fantastic Genesis performance.
PRRP Staff*
Notes from the Re-Master
A CD version of a first generation tape was the source for this remaster project. The whole show was here. Music signal was present up to 16,000 Hz with good quality and acoustics given the venue. Like most recordings from the era, hiss was quite extensive and was therefore reduced. The tonality was quite well balanced but the upper end of the treble was boosted in order to provide more detail. There were also 3 spots during the show when the bass petal was a bit excessive. I reduced this effect slightly at those points but no other alteration to the bass components was made. Pops, whistles and harsh “ss” made up the majority of the other noises that needed to be reduced as much as possible. There was a woman who giggled during some of Phil’s monologues. I did my best to reduce her contributions to the recording. The balance was quite off so that was corrected as well.PRRPGS004 - GENESIS SERIES
THE TAIL OF THE TOUR
May 7, 1976 (Will Rogers Auditorium - Fort Worth, Texas)
CD1
1-1. Dance On A Volcano 7:20
1-2. The Lamb Lies Down On Broadway 5:00
1-3. Fly On A Windshield 3:00
1-4. Carpet Crawlers 5:20
1-5. Story Of Two Virgins 1:27
1-6. The Cinema Show 10:59
1-7. Story Of Harry 1:59
1-8. Robbery, Assault & Battery 5:54
1-9. Story Of An Old Wolf 0:58
1-10. White Mountain 6:33
1-11. Introduction Bill Bruford 1:42
1-12. Firth Of Fifth 8:57
CD2
2-1. Entangled 8:37
2-2. Squonk 6:50
2-3. Story To Supper's Ready 2:41
2-4. Supper's Ready 24:30
2-5. I Know What I Like 6:14
2-6. Our Thanks To The Crew 1:53
2-7. Los Endos 6:59
2-8. It/ 3:36
2-9. Watcher Of The Skies 2:59
Genesis
Phil Collins - Lead Vocals, Drums and Percussion
Tony Banks- Keyboards, 12 Strings and Backing Vocals
Mike Rutherford- Bass Guitars, Guitars and Backing Vocals
Steve Hackett- Lead Guitars and Effects
Bill Bruford - Drums and Percussion
A JOB WELL DONE
*
1976 was indeed a pivotal year for Genesis. Against all expectations, the band had survived the departure of Peter Gabriel and their resulting new album, “A Trick Of The Tail”, was a formidable achievement by any standards. The music was powerful, beautiful and more accessible which was bound to attract more attention from both the media and public. The album proved to be a huge success in every part of the world but the biggest challenge would be met on the concert stage where longtime fans would doubtless be waiting for them with scrutinizing eyes. The time had come for Genesis to face the challenge of performing live without Peter.
For five years, the band had been closely associated with Peter Gabriel’s theatrics and costumes which unfolded in increasingly elaborate stage shows, culminating with the unforgettable live presentation of “The Lamb Lies Down On Broadway”. Phil Collins was understandably keen not to be regarded as a surrogate Peter Gabriel and the band were determined to bring the music to the forefront, letting it be the centre of attention. To the delight and surprise of everyone, Phil proved himself to be not only an accomplished lead singer but also a natural and instantly likeable frontman. His easy sense of humour also ensured that the important connection between band and audience was not lost.
As with their previous tour, Genesis elected to start this one in North America, charting new ground along the way. Such was the case with the concert that we now bring you. Playing in Fort Worth, Texas, was a first for Genesis, and from the audience reaction the band quickly resolved that it would not be their last appearance there. From then on, they would always receive a warm welcome from the fans in the state of Texas.
One particular aspect of the 1976 tour that is often overlooked is the enormous contribution made by drummer and percussionist Bill Bruford. Taking nothing away from Chester Thompson, a fine drummer in his own right who would hold the position with Genesis for 15 years starting in 1977, Bill Bruford was more than just a guest drummer. A jazz drummer in the soul, seasoned in rock music with bands like Yes and King Crimson at the peak of the progressive rock era in the seventies, Bruford had become a true drum genius, capable of adapting to any style of music and leaving his imprint on it.
Such was the case with his all too brief stay with Genesis. Not only did Bill’s playing bring a new dimension to the band’s music but he also helped to provide much needed confidence for the band on stage. For years, they had relied on Phil’s towering talents behind the drums but now that he was fronting the band most of the time, Steve, Tony and Mike really needed a player like Bruford who could put their minds at ease about the percussive aspect of playing live. They knew they could rely on Bill and even draw energy from his imaginative playing. From that point of view alone, any performance from the 1976 tour is well worth a listen. Many fans wish Bill had remained with Genesis longer than he did but, as we all know, this wasn’t to be.
The Fort Worth concert was the last date of the North American tour. Britain and Europe were next on the agenda. But on this last night in America, it was only fitting that Genesis should acknowledge the incredible work of their road crew, without whom touring would have been impossible. These guys who work so hard to make sure that everything goes well and on schedule really deserve huge credit and on that night in Fort Worth, Phil made sure they were applauded for their efforts. A wonderful gesture. We hope you will enjoy this fantastic Genesis performance.
PRRP Staff*
Notes from the Re-Master
A CD version of a first generation tape was the source for this remaster project. The whole show was here. Music signal was present up to 16,000 Hz with good quality and acoustics given the venue. Like most recordings from the era, hiss was quite extensive and was therefore reduced. The tonality was quite well balanced but the upper end of the treble was boosted in order to provide more detail. There were also 3 spots during the show when the bass petal was a bit excessive. I reduced this effect slightly at those points but no other alteration to the bass components was made. Pops, whistles and harsh “ss” made up the majority of the other noises that needed to be reduced as much as possible. There was a woman who giggled during some of Phil’s monologues. I did my best to reduce her contributions to the recording. The balance was quite off so that was corrected as well.
https://mega.nz/file/Eq9j2YIb#NU_om9wp6u8LX4l1Zl1UNrDYiaVeztrIj9Og5DtGfi0
.jpg)
Source info:
Schoeps MK41's>Nbob Actives>BabyNbox v2>Sony PCM-A10(24/96)>Adobe Audition CS6(normalize, tracking, mastering)>CD Wave Editor 1.98>TLH>Flac(8)
Taper: David Sell (Falconidave)
Location: Section 124 row 19 in-line with left stack ~6' ORTF
Sound Quality: Excellent
Setlist:
01. Oceans
02. Footsteps
03. All Those Yesterdays
04. Daughter (with “Another Brick in the Wall Part 2” [Pink Floyd cover])
05. Black
06. Elderly Woman Behind the Counter in a Small Town
07. Present Tense
08. Corduroy
09. Mind Your Manners
10. Even Flow
11. Given to Fly
12. Pilate
13. Hail, Hail
14. Eruption (Van Halen cover)
15. Satan’s Bed
16. Untitled
17. MFC
18. Not For You (with “Modern Girl” [Sleater-Kinney cover])
19. Rearviewmirror
Encore
20. Crazy Mary (Victoria Williams cover)
21. Wishlist
22. Do the Evolution
23. Lukin
24. Porch
25. Alive
26. Baba O’Riley (The Who cover)
27. Indifference
156:32
Totally embarrassed to admit that this was my first time witnessing this iconic band. It won't be my last I can assure you. What an incredible night, so amazing. The mix, the crowd around me was ideal. Josh Klinghoffer filled in on drums for Matt Cameron, who is recovering from Covid. Artwork by ethiessen1 included in the torrent. Thanks my friend!
As always, NEVER for sale, trade freely, don't distribute in lossy formats, and always support the artists' commercial endeavors.
AUDIENCE recording by M&A
MBHO 603a > Lunatech V-3 > Sony-D100
Re-Authored JTT
1.Intro
2.Drifter's Escape
3.I'll Be Your Baby Tonight
4.Absolutely Sweet Marie
5.You Win Again (with Willie Nelson)
6.Highway 61 Revisited
7.Shooting Star
8.Cold Irons Bound
9.Like A Rolling Stone
10.All Along The Watchtower
https://mega.nz/file/ZLliEAQY#KDSawgIVSA1Tx8KdMN4_GY8BLZ102grej3FNxkio5vM
Bob Dylan
Willie Nelson's Fourth of July Picnic
Stockyards
Fort Worth, Texas
July 4, 2005
Lineage: DPA 4061>Sony D-100>CDR Clone>EAC Secure>WAV>FLAC 8
Taper: V4TX
Re-Authored (JTT)
01. Intro
02. Drifter's Escape
03. I'll Be Your Baby Tonight
04. Absolutely Sweet Marie
05. You Win Again (with Willie Nelson)
06. Highway 61 Revisited
07. Shooting Star
08. Cold Irons Bound
09. Like A Rolling Stone
10. All Along The Watchtower
https://mega.nz/file/0C0FxAbZ#lql1Tt5rg9Z2o0G_0AvFo_VsVswkOv32a0OKrzLexJM
FORMATO FLAC
01 (fades in) Wham*
02 Guitar Hurricane*
03 The Sky Is Crying*
04 Empty Arms*
05 I'm Leaving You (Commit A Crime)*
06 Howlin' For My Darlin'*
07 Be Careful*
08 I'm Crying*
09 Collin's Shuffle*
10 Hideaway*
11 In The Open*
12 May I Have A Talk With You*
13 Tell Me*
14 Tin Pan Alley*
15 Love Stuck Baby*
16 Crosscut Saw*
17 Texas Flood*
FORMATO FLAC
Disc 1
Track01 Ecstacy Of Gold
Track02 Blackened
Track03 For Whom The Bell Tolls
Track04 Welcome Home (Sanitarium)
Track05 Harvester Of Sorrow
Track06 The Four Horsemen
Track07 The Thing That Should Not Be (flip)
Track08 Jason Newsted Bass Solo
Track09 Master Of Puppets
Track10 Fade To Black
Track11 James Drinks A Beer
Disc 2
Track01 Seek And Destroy
Track02 And Justice For All (flip)
Track03 Black Night
Track04 Creeping Death
Track05 One
Track06 Kirk Hammet Solo Part One
Track07 Little Wing
Track08 Kirk Hammet Solo Part Two
Track09 Battery
Track10 Last Caress
Track11 Am I Evil
Track12 Whiplash
https://mega.nz/file/sWMCDJQY#Q0Q-wbd_GECjd8JbzFGi8VQw_V-1uNKDNjr-RSRoUFg
Led Zeppelin
Tarrant County Convention Center, Fort Worth, TX
1975-03-03
sbd
mp3 @ 320 [397 mb]
sq: EX
Mr. Soundman (Winston Remasters 2015)
artwork included
CD1
01 Rock And Roll
02 Sick Again
03 Plant Speaks
04 Over The Hills And Far Away
05 In My Time Of Dying
06 Plant Speaks II
07 The Song Remains The Same
08 The Rain Song
09 Kashmir
CD2
10 No Quarter
11 Trampled Underfoot
12 Moby Dick
CD3
13 Dazed And Confused
14 Stairway To Heaven
15 Whole Lotta Love
16 Black Dog
https://mega.nz/file/kK9njLza#bhrz_gNkqRchl_NG2T9WiExFD_ScfDH6T2rBXKG1n3U
.jpg)
Tarrant County Convention Center, Fort Worth, TX
1972-06-24
&
Hofheinz Pavilion, Houston, TX
1972-06-25
sbd (remastered)
mp3 @ 320 [171 mb]
sq: A
Dragon Slayers [VGP 001]
artwork included
01 Brown Sugar (4)
02 Bitch (2)
03 Gimme Shelter (1)
04 Dead Flowers (1)
05 Happy (1)
06 Tumbling Dice (3)
07 Love In Vain (3)
08 Sweet Virginia (1)
09 You Can't Always Get What You Want (3)
10 All Down The Line (4)
11 Midnight Rambler (4)
12 Band intro (2)
13 Bye Bye Johnny (3)
14 Rip This Joint (2)
15 Jumping Jack Flash (3)
16 Street Fighting Man (4)
https://mega.nz/file/gPdRjC5Z#DCiILfs22d41KbsMuYc31dc-n6rSI6Lb-Ao_NhW-NB0
Grateful Dead 19780914 Giza, Egypt Sphinx Theatre Source: Soundboard Lineage: reel(m)(multitrack) > cass > DAT (48k) > Sony R500 ...
