Studio ’67 Tracklist And Information
Disc 1
January 11, 1967 - De Lane Lea Music Recording Studios, 129 Kingsway, London WC2, England. After a series of appearances around London, The Experience resume work on Are You Experienced?
01. 51st Anniversary Take 1 (S1469) (2) - Sound Quality: Excellent. Time: 0:49
This is the first incomplete instrumental take in mono.
02. 51st Anniversary Take 2 (S1470) (3) - Sound Quality: Excellent. Time: 0:45
This is the second incomplete instrumental take in mono.
03. 51st Anniversary Take 3 (S1471) (4) - Sound Quality: Excellent. Time: 3:17
The complete instrumental mix of the official monaural release (S004) (1).
This mix of Take 3 does not fade out at the end.
04. 51st Anniversary (S?) (?) - Sound Quality: Excellent. Time: 0:07
A short overdub snippet found at the end of (S1471) (4).
05. 51st Anniversary Take 1 (S1478) (5) - Sound Quality: Excellent. Time: 3:20
An alternate mix in stereo with 2 vocal tracks.
06. Fire Take 1 (S1472) (86) – Sound Quality: Excellent. Time: 1:07
The first monaural unfinished take.
07. Fire Take 2 (S1473) (87) – Sound Quality: Excellent. Time: 0:12
The second monaural unfinished take.
08. Fire Take 3 (S1474) (88) – Sound Quality: Excellent. Time: 1:10
The third monaural unfinished take.
09. Fire Take 4 (S1475) (89) – Sound Quality: Excellent. Time: 1:55
The fourth monaural unfinished take.
10. Fire Take 5 (S1476-77) (90) – Sound Quality: Excellent. Time: 3:24
The fifth monaural unfinished take in two parts. All sources stop abruptly
around the 1:50 mark then continues on after a few seconds of silence.
After two more quick dropouts, track continues seamlessly to end.
“OR”
xx10. Fire Take 5 (S1476-77) (90) – Sound Quality: Excellent. Time: 3.07
The fifth monaural unfinished take in two parts. All sources stop abruptly
around the 1:50 mark then continues on after a few seconds of silence. After two
more quick dropouts, track continues seamlessly to end. Here, the silence and
the two drop outs have been removed. Edited by Willjamz.
11. Fire (S1064) (3) - Sound Quality: Excellent. Time: 2:34
The instrumental backing tracks for the official mono release (S014) (1).
12. Fire (S?) (?) – Sound Quality: Good Time: 2:40
An alternate stereo mix with low vocals.
13. Purple Haze (S1053) (4) – Sound Quality: Very Good. Time: 2:40
An alternate monaural mix with incomplete start. Apparently recorded
during a vocal overdub session.
14. Purple Haze (S1462) (120) – Sound Quality: Very Good. Time: 2:59
A monaural mix that appears to be another track from the vocal overdub sessions.
This alternate version is more complete and is slightly different than (S1053) (4).
15. Purple Haze (S?) (5) - Sound Quality: Good. Time: 2:17
An incomplete alternate mix with two lead vocals and in simulated stereo.
Ends abruptly at 2:17
16. Purple Haze (S003) (3) – Sound Quality: Excellent. Time: 2:47
The “Legacy” monaural mix with added echo.
17. Purple Haze (S?) (121) – Sound Quality: Very Good. Time: 2:46
This is an alternate monaural mix based on the official stereo release (S003) (2).
18. Third Stone From The Sun (S?) (4) – Sound Quality: Excellent. Time: 3:21
A vocal overdub mono mix were the backing track is sped up and Jimi is talking
normally to achieve the slowed vocal effect found on the original releases.
19. The Wind Cries Mary (S1065) (3) – Sound Quality: Very Good. Time: 3:30
A complete instrumental mix in stereo.
20. The Wind Cries Mary (S1464) (3) – Sound Quality: Very Good. Time: 3:40
An alternate complete instrumental mix in narrow stereo. Possibly an overdub
session as you can hear Jimi chatting after a few seconds of silence.
February 8, 1967 - De Lane Lea Music Recording Studios, London, England.
21. Remember Take 1 (S1486) (3) - Sound Quality: Excellent. Time: 1:14
First monaural instrumental take preceded by two false starts. Incomplete.
The noise at the beginning is believed to be static from Jimi’s amplifiers.
22. Remember Take 2 (S1487) (4) - Sound Quality: Excellent. Time: 3:19
Second monaural instrumental take preceded by two false starts. Incomplete.
23. Remember Take 3 (S1488) (5) - Sound Quality: Excellent. Time: 3:14
Third monaural instrumental take preceded by one false start and about
90 seconds of tuning. Incomplete.
24. Remember Take 4 (S1489) (6) - Sound Quality: Excellent. Time: 2:26
Fourth monaural instrumental take. Incomplete.
25. Remember Take 5 (S1490) (7) - Sound Quality: Excellent. Time: 3:33
Fifth monaural instrumental take. Complete.
26. Remember (S1491) (8) - Sound Quality: Excellent. Time: 3:21
A rough alternate monaural mix of the official mono release of (S016) (1).
Complete take with vocals.
Disc 2
February 20, 1967 - De Lane Lea Music Recording Studios, London, England.
27. I Don’t Live Today Take 1 (S1059) (5) - Sound Quality: Very Good. Time: 2:48
The first monaural instrumental take. Incomplete.
28. I Don’t Live Today Take 2 (S1060) (6) - Sound Quality: Very Good. Time: 2:12
The second monaural instrumental take. Incomplete.
29. I Don’t Live Today Take 3 (S1061) (7) - Sound Quality: Very Good. Time: 2:15
The third monaural instrumental take. Incomplete.
30. I Don’t Live Today Take 1 (S1059) (5) - Sound Quality: Excellent. Time: 2:36
The first instrumental take mixed in stereo. Incomplete.
31. I Don’t Live Today Take 2 (S1060) (6) - Sound Quality: Excellent. Time: 1:38
The second instrumental take mixed in stereo. Incomplete.
32. I Don’t Live Today Take 3 (S1061) (7) - Sound Quality: Excellent. Time: 2:56
The third instrumental take mixed in stereo. Incomplete.
33. I Don’t Live Today (S1062) (4) - Sound Quality: Very Good. Time: 4:13
The instrumental backing track that produces the official mono mix (S012) (1).
34. I Don’t Live Today (S1062) (4) – Sound Quality: Excellent. Time: 4:22
The instrumental backing track that produces the official stereo mix (S012) (2).
35. I Don’t Live Today (S1063) (3) - Sound Quality: Very Good. Time: 4:19
An alternate mix, of the official mono release, with double tracked vocals.
The original track has a gap at approximately the 1:28 mark followed quickly
by another shorter one.
“OR”
xx35. I Don’t Live Today (S1063) (3) - Sound Quality: Very Good. Time: 4:17
An alternate mix, of the official mono release, with double tracked vocals.
The original track has a gap at approximately the 1:28 mark followed quickly
by another shorter one. Here, they have been removed. Edited by Willjamz.
36. I Don’t Live Today (S1461) (3) - Sound Quality: Very Good. Time: 4:13
A Slightly different mix of (S1063) (3) with vocals more to the left channel
and in wider stereo.
37. I Don’t Live Today (S?) (42) – Sound Quality: Very Good. Time: 3:59
An alternate mono mix of (S012) with vocals and lead guitars mixed high.
February 23, 1967 - De Lane Lea Music Recording Studios, London, England.
38. Manic Depression (S1492) (11) – Sound Quality: Very Good. Time: 0:52
The first alternate backing track in mono. Incomplete.
39. Manic Depression (S1493) (12) – Sound Quality: Very Good. Time: 4:33
The second alternate backing track in mono. This is a complete run through.
40. Manic Depression (S1480) (10) – Sound Quality: Very Good. Time: 3:38
An alternate monaural mix, with different vocals.
March 29, 1967 - De Lane Lea Music Recording Studios, London, England.
41. Red House Take 1 (S1054) (2) – Sound Quality: Very Good. Time: 1:45
Unfinished Take 1 in mono.
42. Red House Take 2 (S1055) (3) – Sound Quality: Very Good. Time: 1:47
Unfinished Take 2 in mono.
43. Red House Take 3 (S1056) (4) – Sound Quality: Very Good. Time: 3:24
Unfinished Take 3 in mono.
44. Red House Take 4 (S1057) (5) – Sound Quality: Very Good. Time: 3:48
Take 4 in mono which is complete and considered to be an alternate mix with
no echo on the guitar as found in later official releases.
Disc 3
March 29, 1967 - Continued
45. Red House Take 1 (S1054) (2) – Sound Quality: Excellent. Time: 1:47
Unfinished Take 1 in stereo.
46. Red House Take 2 (S1055) (3) – Sound Quality: Excellent. Time: 1:50
Unfinished Take 2 in stereo.
47. Red House Take 3 (S1056) (4) – Sound Quality: Excellent. Time: 3:29
Unfinished Take 3 in stereo.
48. Red House Take 4 (S1057) (5) – Sound Quality: Very Good. Time: 3:52
Take 4 in stereo which is complete and considered to be an alternate mix with
no echo on the guitar as found in later official releases.
49. La Pouppee Qui Fait Non (S1463) (?) – Sound Quality: Very Good. Time 3:40
This is the monaural instrumental mix of (S1058).
50. La Pouppee Qui Fait Non (S1058) (?) – Sound Quality: Excellent. Time 3:41
This is the stereo instrumental mix.
April 3, 1967 – Olympic Studios, London, England.
51. Are You Experienced? (S017) (3) – Sound Quality: Very Good. Time: 2:50
This is the reversed playback of the backwards guitar solo from the mono mix of
AYE? (S017) (1).
52. Are You Experienced? (S017) (1) – Sound Quality: Excellent. Time: 4:01
The monaural official mix.
53. Highway Chile (S006) (1) – Sound Quality: Excellent. Time: 3:31
The monaural mix that was preferred by Chas Chandler over the stereo mix
(S1533) (2) which was never released until The Jimi Hendrix Experience
Purple Boxed Set released in 2000. (that version not included here)
54. May This Be Love (S013) (1) – Sound Quality: Very Good. Time: 3:00
The monaural official mix.
55. May This Be Love (S137) (2) – Sound Quality: Excellent. Time: 3:11
The slightly longer monaural mix as found on the French Barclay release.
May 4, 1967 – Olympic Studios, London, England. At this point, the “Are You Experienced?” recording sessions are behind the group. AYE? will be released
the following week on May 12 in the U.K. and Europe. Even though it will not be released in the United States until August, the Experience are once again in the studio to begin work on Jimi’s next album, Axis, Bold As Love.
56. Cat Talkin’ To Me (S1024) (2) – Sound Quality: Good: 2:47
The complete instrumental mix which appears to be in narrow stereo.
57. Cat Talkin’ To Me (S935) (1) – Sound Quality: Excellent. Time: 2:37
The complete mix which appears to be in narrow stereo featuring Mitch Mitchell
on vocals.
58. If 6 Was 9 (S1539) (4) – Sound Quality: Excellent. Time: 5:55
This is the longer alternate monaural mix.
59. If 6 Was 9 (S027) (1) – Sound Quality: Excellent. Time: 5:34
The safe stereo mix, of the official version.
60. Mr. Bad Luck (S236) (1) - Sound Quality: Excellent. Time: 2:57
Also known as Look Over Yonder which Jimi would take back into the
Studio in 1968 and rework it with a massive amount of guitar overdubs.
This is the official mix with reverb on the vocals and includes tambourine.
61. Mr. Bad Luck (S932) (2) - Sound Quality: Excellent. Time: 2:53
An alternate mix with no reverb on vocals and no tambourine.
62. She’s So Fine (S1004) (4) - Sound Quality: Excellent. Time: 2:39
The Sotheby Stereo Mix with original lead vocals and no harmony vocals.
Disc 4
May 4, 1967 - Continued
63. She’s So Fine (S030) (1) - Sound Quality: Excellent. Time: 2:40
This is the safe stereo version of the official mix.
64. Taking Care Of No Business (S627) (1) – Sound Quality: Very Good. Time: 3:58
The monaural mix with horn overdubs and different crowd vocals.
May 5, 1967 – Olympic Studios, London, England.
65. E.X.P. (S1103) (2) - Sound Quality: Very Good. Time: 1:54
The Sotheby’s Stereo Mix.
66. E.X.P. (S1103) (2) - Sound Quality: Excellent. Time: 1:14
The safe stereo mix. This is the shortest of all versions and features
a slightly different ending.
June 28, 1967 – Houston Studios, Los Angeles, California. The Experience are in the middle of their first U.S. tour. Before heading back to the east coast, they stop in and record an acetate of The Stars That Play With Laughing Sam’s Dice.
67. The Stars That Play With Laughing Sam’s Dice (S271) (1)
Sound Quality: Good. Time: 4:02
The monaural instrumental acetate version. Take is unknown but does feature
multiple guitar overdubs.
68. Burning Of The Midnight Lamp (S?) (?) - Sound Quality: Very Good. Time: 1:42.
Two incomplete alternate takes once thought recorded on July 6th but now believed
to be this date. The extended silence between the two mixes has been reduced.
Edited By Willjamz.
“OR”
xx68. Burning Of The Midnight Lamp (S?) (?) - Sound Quality: Very Good Time: 2:00
Two incomplete alternate takes once thought recorded on July 6th but now
believed to be this date. Original source tape with silent gap between takes.
July 6, 1967 – Mayfair Recording Studios, New York, New York. Jimi, Noel and Mitch are back in the studio working on new material. This date is spent mixing
Burning Of The Midnight Lamp.
69. Burning Of The Midnight Lamp (S1000) (4)
Sound Quality: Very Good. Time: 17:09
The Complete Mixing Tape, which included multiple mixes, originally contained
several long sections of silence between the mixes. They are presented here with
these gaps reduced to a few seconds each. Edited by Willjamz.
“OR”
xx69. Burning Of The Midnight Lamp (S1000) (4)
Sound Quality: Very Good. Time: 22:06
The complete unedited monaural mixing tape containing multiple mixes.
There are several long silences or near silences between mixes in this track,
which in total are nearly 5 minutes of the overall tape.
July 19, 1967 – Mayfair Recording Studios, New York, New York.
70. The Stars That Play With Laughing Sam’s Dice (S1120) (4a)
Sound Quality: Very Good. Time: 4:36
This is the very narrow stereo almost mono like alternate version from Take21
with count-in and end vocal chat. Distinguished by the high pitch guitar effects
more dominant in the left channel.
71. The Stars That Play With Laughing Sam’s Dice (S1120) (4b)
Sound Quality: Very Good. Time: 4:24
An alternate stereo mix of Take 21 without count-in and with echo added onto
the end chat.
72. The Stars That Play With Laughing Sam’s Dice (S1120) (5)
Sound Quality: Very Good. Time: 4:34
An alternate monaural mix of Take 21 with count-in, mixed up vocals and
edited end chat.
October 1, 1967 – Olympic Studios, London, England. The Experience continues work on Axis: Bold as love after completing a short European tour in September.
73. Little Miss Lover (S265) (3) – Sound Quality: Very Good. Time: 2:19.
The monaural Emidisc acetate identified by the whistling during the drum intro,
slightly different lyrics, and guitar lead as compared to the official mixes. Being the
earliest known version, there is a possibility that this was recorded at Houston
Studios in Los Angeles, California back in June.
74. Little Miss Lover (S032) (1) – Sound Quality: Excellent. Time: 2:21.
The safe stereo mix.
Disc 5
October 3, 1967 – Olympic Studios, London, England.
75. One Rainy Wish (S031) (3) – Sound Quality: Very Good. Time: 3:42.
The “Backtrack” alternate stereo version.
76. One Rainy Wish (S240) (2) – Sound Quality: Very Good. Time: 3:38.
Second official monaural mix very similar to the Sotheby mix.
Voice-over removed and considered incomplete
77. One Rainy Wish (S240) (5) – Sound Quality: Very Good. Time: 3:55
The Sotheby Mix
78. One Rainy Wish (S?) (?) – Sound Quality: Very Good. Time: 3:43
The Safe Stereo Mix
79. You Got Me Floatin’ (S028) (2) - Sound Quality: Excellent. Time: 2:41
The Safe Stereo Mix
80. You Got Me Floatin’ (S1107) (4) - Sound Quality: Very Good. Time: 2:41
A one channel mix from the official stereo track. The bass and drum channel is
used through the end of the first verse while the guitar channel is used for the
remainder of the track. Vocals are mixed down the middle.
October 14, 1967 – Olympic Studios, London, England.
81. Angel (S1454) (7) – Sound Quality: Excellent. Time: 2:43
The early instrumental in stereo with Jimi and Mitch only.
October 25, 1967 – Olympic Studios, London, England.
82. Little Wing (S026) (2) – Sound Quality: Excellent. Time: 2:27
The safe stereo mix.
83. Little Wing (S1540) (16) – Sound Quality: Excellent. Time: 3:26
The alternate instrumental take.
October 26, 1967 – Olympic Studios, London, England.
84. Ain’t No Telling (S025) (2) – Sound Quality: Excellent. Time: 1:49
The Safe Stereo Mix.
85. Ain’t No Telling (S025) (3) – Sound Quality: Very Good. Time: 1:51
The Sotheby’s Mix.
86. Ain’t No Telling (S025) (?) – Sound Quality: Very Good. Time: 1:51
another alternate stereo mix.
87. Ain’t No Telling (S1106) (4) – Sound Quality: Very Good. Time: 1:46
A one channel mono mix, of the official track with a slightly different lead guitar.
88. Wait Until Tomorrow. (S024) (1) – Sound Quality: Excellent: Time: 3:01
The safe stereo mix.
89. Wait Until Tomorrow (S024) (1) – Sound Quality: Excellent: Time: 3:22
The Sotheby’s Mix, which has echo on Jimi’s vocals and is slightly longer.
October 27, 1967 – Olympic Studios, London, England.
90. Spanish Castle Magic (S1005) (1) – Sound Quality: Very Good. Time: 2:46
The instrumental stereo mix from the Sotheby’s Tapes.
91. Spanish Castle Magic (S023) (2) – Sound Quality: Excellent. Time: 3:05
The safe stereo mix.
92. Spanish Castle Magic (S1113) (3) – Sound Quality: Good. Time: 3:08
The monaural "piano" channel of the official stereo mix.
Disc 6
October 29, 1967 – Olympic Studios, London, England.
93. Bold As Love (S1543) (7) – Sound Quality: Excellent. Time: 7:09
The instrumental Take 21 in stereo.
94. Bold As Love (S033) (1) – Sound Quality: Excellent. Time: 4:09
The safe stereo mix.
95. Bold As Love (S817) (2) – Sound Quality: Very Good. Time: 3:34
The shorter Sotheby’s Mix with vocals mixed more up front in the
right channel and less lead guitar.
96. Bold As Love (S?) (3&4) – Sound Quality: Very Good. Time 5:31
An alternate stereo mix, with different phasing. Also mixed with more echo
and reverb effects. Two different endings with (4) being the last 1:26.
All sources of this track suffer from tape speed problems at the start.
97. Castles Made Of Sand (S029) (2) – Sound Quality: Excellent. Time: 2:49
The safe stereo mix.
98. Castles Made Of Sand (S1108) (3) – Sound Quality: Excellent. Time: 2:51
The Sotheby’s mix with rhythm guitar mixed farther back.
99. Castles Made Of Sand (S029) (4) – Sound Quality: Very Good. Time: 2:27
Backwards playback of one channel only, from the official track, revealing
guitar effects Jimi used in the recording. Edited.
100. Up From The Skies (S022) (2) – Sound Quality: Excellent. Time: 2:58
The safe stereo mix.
101. Up From The Skies (S1104) (3) – Sound Quality: Very Good. Time: 2:58
The Sotheby’s stereo mix.
November 13, 1967 – Olympic Studios, London, England.
102. Angel (S1459) (8) – Sound Quality: Excellent. Time: 3:55
The shorter incomplete monaural early vocal version with start cut off.
A slightly different mix than found on (S1459) (10).
103. Angel (S1459) (10) – Sound Quality: Excellent. Time: 4:11
The complete monaural early vocal mix from 4 track master tape.
December 20, 1967 – Olympic Studios, London, England. Axis Bold As Love was
released in the U.K. on December 1st and already Jimi finds himself back in the studio recording new material.
104. Crosstown Traffic (S037) (2) – Sound Quality: Excellent. Time 2:55
An alternate stereo mix of the official track.
105. Crosstown Traffic (S037) (3) – Sound Quality: Very Good. Time 2:17
One channel of the official stereo release mixed to monaural.
106. Dance (S267) (1) – Sound Quality: Good. Time: 2:01
The monaural Emidisc acetate mix with Mitch on vocals.
Note the Ezy Ryder guitar riff. All sources of this acetate are
known to have static problems
107. Dream (S266) (1) – Sound Quality: Good. Time: 2:06
The monaural Emidisc acetate mix with Noel on vocals.
108. Dream (S1595) (2) – Sound Quality: Excellent. Time: 2:19
The stereo mix with Noel on lead vocals and lead guitar overdub.
All sources of this acetate are known to have static problems
December 28, 1967 – Olympic Studios, London, England.
109. Little One (S879) (1) – Sound Quality: Very Good. Time: 3:24
A monaural mix with different lead guitar overdubs than found on
(S880) (2). A cowbell is also included on this track as part of the percussion.
110. Little One (S880) (2) – Sound Quality: Very Good. Time: 3:28
An alternate monaural mix with different lead guitar overdubs and
without cowbell.
111. Little One (S880) (2) – Sound Quality: Excellent. Time: 3:53
The mix featuring Noel on vocals. Lead guitar parts are similar to those found
on (S879) (1). This version appears to be narrow stereo. You can tell from
a lead guitar part dominant in the left channel.
https://mega.nz/file/I3VCgbjI#Acs-4lUqafcVxkZDAH46mMx4sGvx1uiHDyaleBsv4zI
.jpg)
.jpg)
