(004143) Aerosmith - April 20, 1980 Speaks (Speakeasy) Club Long Island, New York

FORMATO FLAC

Crowd

Back In The Saddle

Mama Kin

I Wanna Know Why

Big Ten Inch Record

Dream On

Three Mile Smile

Reefer Head Woman

Bone To Bone

Rats in the Cellar

Remember (Walking In the Sand)

Walk This Way

Lord Of The Thighs

Same Old Song And Dance

Milk Cow Blues

Toys In The Attic

Train Kept A Rollin'

https://mega.nz/file/qRJ1jZxS#QPvG_MdJFYjDTL9FCHFH1Ood5i9-Tj85uQLIoVdivFE

(005725) Judas Priest - July 5th 1980,"British Steeler" Calderone Concert Hall, Long Island, New York, USA

British Steel Tour

FM Recording

Artwork Included

SQ:A

Trade->CDR->EAC->FLAC->Dime

01. Hell Bent For Leather

02. The Ripper

03. Running Wild

04. Living After Midnight

05. Sinner

06. Beyond The Realms Of Death

07. You Don't Have To Be Old To Be Wise

08. The Grinder

09. Victim Of Changes

10. Steeler

11. Genocide

12. Tyrant

13. Green Manalishi (With The Two-Pronged Crown)

Rob Halford - vocals

K.K. Downing - guitars

Glenn Tipton - guitars

Ian Hill - bass

Dave Holland - drums

https://mega.nz/file/AflWCQ6C#rBQ7U-HV12uDjoIzooPvS1beQJlcNB2MbaTMeix5klo

(005940)The Beatles 1969-xx-xx The Beatles Get Back Acetate NY Radio Stations AT-100A (16-bit) (FLAC)

This is the 100th post in this series. Thought I should do something special for 100. Looked around to see what I had pulled out of the attic that was special. This tape has

been sitting on the window sill for a bit so I figured it was a good candidate. There has been a lot of Get Back material over the years, and several appearances of the Get

Back Acetate in among them. This post contains RIPs of two different tapes I acquired many moons ago of songs reported to be from the Get back acetate.

The Beatles

Get Back Acetate

NY Radio Station

1969

AT-100A

The first one here identified as simply from a NY radio station, has no radio identification and the way the tracks are laid out I suspect this was a compilation of sorts

from different broadcasts on the station, and not from one strait broadcast. In the middle there is a bit of a country version of Get Back which is not the Beatles and most

certainly has to be at a later date in time. Because there couldn't possibly be a cover version of Get Back in early 1969. And as there are different versions of the same

track I feel this is more likely a later playback of tracks from the acetate mixed with bootleg tracks.

The second one here is from WBAI Long Island NY and contains on brief station ID. It is also obviously not a full acetate as it only contains five songs.

Nothing new or earth shattering here, just an interesting bit of Beatle history.

Enjoy!

Lineage:FM Broadcast> Maxell XLII-90 acuired in trade> NAK BX-125> M-Audio 24/96> Adobe Audition> WAV> Flacfrontend> Flac 6> YOU

01 Let It Be

02 Don't Let Me Down

03 For You Blue

04 Get Back

05 The Walk

06 Country Get Back (not Beatles)

07 Get Back

08 I've Got A Feeling

09 Teddy Boy

10 Two Of Us

11 Dig A Pony

12 I've Got A Feeling

13 The Long And Winding Road

The Beatles

Get Back Acetate

WBAI Long Island NY

1969

AT-100B

Lineage:FM Broadcast> Maxell XLII-90 acuired in trade> NAK BX-125> M-Audio 24/96> Adobe Audition> WAV> Flacfrontend> Flac 6> YOU

01 The Long And Winding Road

02 I Me Mine

03 Across The Universe

04 Station ID

05 Don't Let Me Down

06 For You Blue

Ripped by Atlasstar 10-2015

Please share freely, do not convert to lossy except for personal use. Please trade with the original files after allowing me sufficient time to post on my favorite sites.

This is part of the Atlasstar Attic Treasures Series. My attic consists of thousands of cassettes collected since the 70's. I will post them in no particular order as I pull

them out of the attic and convert to digital. Some of these artists I know well and collect myself, other I know little about just picked up along the way. I will provide as

much info as I can but if anyone can add any insight to the recordings it would be appreciated. If the same recording is circulating in better quality please let me know as

I have no intention of polluting the trading pool.

https://mega.nz/file/lm1xhbgC#xEznLL4H3RQzqtkdU3xwyWlaBOb_05XgCjcN9a0LGuE

(004289) Iron Maiden - October 12, 2006 Nassau Coliseum Long Island, NY

FORMATO MP3

Disc 1:

01. Intro

02. Different World

03. These Colours Don't Run

04. Brighter Than a Thousand Suns

05. Pilgrim

06. Longest Day

07. Out of the Shadows

08. Reincarnation of Benjamin Breeg

09. For the Greater Good of God

10. Lord of Light

11. Legacy

12. Fear of the Dark

Encore:

13. Iron Maiden

14. 2 Minutes to Midnight

15. The Evil that Men Do

16. Hallowed Be Thy Name

https://mega.nz/folder/fcwQCI4Z#DsAiXWgJjWM0AwEyB4VN3A

(003149) Pink Floyd 2/25/1980-Nassau Colliseum Uniondale, Long Island, New York (3 Sources)

unknown > MAC > cass(1) > CDR > EAC > WAV > SHN

Second Day At Nassau

Notes:

Second day,2nd recorder? Well correct me if I am wrong but this is not the same source that I had prior to this one.Actually there are two variations of one that I know of.There is the Molm release and the other which is untitled or simple titled "Nassau/Nassau Coliseum" but both are the same recorder which is identified during "Nobody Home" where the taper actually says he has a microphone to security.Oddly enough,the untitled version that I have starts out with the intro to this source but then it's spliced back half way through where the sound gets a bit rough for a moment.So clearly someone filled in the other with this source at the beginning.

In any case, I was told that this came from the 1st gen tape but I can not confirm or deny this.There are some cuts to this recording.The beginning of "Young Lust" is cut,another at the end of "Don't Leave Me Now" and part of "Comfortably Numb" is also missing.I think that's it but I don't recall for sure.Anyway,enjoy what's there.Here's this setlist:

Disc One - 58:48

1.Intro - 2:10

2. In The Flesh? - 3:17

3. The Thin Ice - 3:17

4. Another Brick In The Wall (Part 1) - 5:12

5. Happiest Days Of Our Lives - 1:45

6. Another Brick In The Wall (Part 2) - 6:26

7. Mother - 8:20

8. Goodbye Blue Sky - 3:35

9. Empty Spaces - 2:25

10.What Shall We Do Now? - 1:45

11. Young Lust - 4:40

12. One Of My Turns - 4:00

13. Don't Leave Me Now - 3:59

14. Another Brick In The Wall (Part 3) - 6:27

15. Goodbye Cruel World - 1:20

Disc Two - 57:27

1. Hey You - 5:48

2. Is There Anybody Out There? - 3:13

3. Nobody Home - 3:28

4. Vera - 1:38

5. Bring The Boys Back Home - 1:29

6. Comfortably Numb - 7:17

7. The Show Must Go On - 2:45

8. Announcement - 2:47

9. In The Flesh - 5:40

10. Run Like Hell - 7:09

11. Waiting For The Worms - 4:46

12. Stop - 0:33

13. The Trial - 6:34

14. Outside The Wall - 4:20

Brought to you by:

-Chris-

C.S. Productions

www.csprodinc.com

aka

Saltshaker

DO NOT ENCODE TO ANY TYPE OF LOSSY FORMAT OR YOU MAY BRING VOODOO UPON YOURSELF!!!

_____

Pink Floyd : The Lostbrook Tape Series - Volume 8

Roger Waters did an outstanding job with The Wall in 2010. I was impressed enough

by the show in DC to see it again in Philadelphia, but you simply cannot compare it

to the 1980 tour. This concert is Pink Floyd. End of discussion. The Wall album

had been out for less than three months, but I had been there for some of the earlier

bricks in 1977, with fireworks exploding over my head and ìbottles breaking in the hall.î

I was fortunate that five out of the 31 concerts on the tour would be in my backyard.

I took no chances, called every scalper I knew, and acquired a seat in the seventh row

for sixty dollars. There is little I can add to what has already been said about the

concert, other than a personal observation I made at the time. Youíll hear it on the

tape - after the wall has come down, as the band is exiting, still playing Outside the Wall,

I declared it to be ìthe most beautiful momentî I had ever seen in a concert. Special

thanks to Allison and Ellen for their help with the camera and tapes.

February 25, 1980

Nassau Coliseum

Uniondale, NY

USA

Recording Equipment: Internal Mic - Sanyo tape deck - TDK SD C90 - Alesis TapeLinkUSB - Audacity - WAV

Taper: Lostbrook

Mastering: CQ

cd1

01 Introduction

02 In the Flesh

03 The Thin Ice

04 Another Brick In The Wall p1

05 The Happiest Days

06 Another Brick In The Wall p2

07 Mother

08 Goodbye Blue Sky

09 Empty Spaces

10 Young Lust

11 One Of My Turns

12 Don't Leave Me Now

13 Another Brick In The Wall p3

14 Goodbye Cruel World

15 Break

cd2

16 Hey You

17 Anybody Out There-Nobody Home-Vera-Bring The Boys Back Home

18 Comfortably Numb

19 The Show Must Go On

20 In The Flesh

21 Run Like Hell

22 Waiting For The Worms

23 Stop-The Trial-Outside The Wall

Tapers Story:

I first became enchanted by live performances after talking my way into the taping of

Dick Cavettís Woodstock Show on August 18, 1969 at WABC studios in New York. This was

quite an accomplishment for an eleven-year-old without a ticket. My first major concert

was The Rolling Stones at Madison Square Garden on July 25, 1972. I was so impressed with

the enormity of that event that I jumped at the chance to acquire some of the vinyl bootlegs

from the Exiles on Main Street tour. These recordings surely planted a seed in my mind, but

unfortunately, I waited over 25 concerts before attempting my first recording in late

1975. Over the next ten years, I recorded approximately 125 concerts in the New York City

area. In 1985, I moved to Virginia and recorded sporadically, accumulating a few dozen shows

in the Washington DC area over the next 15 years.

My motive for taping has always been selfish. I simply wanted to enjoy the performances over

and over again. I didnít realize that I was recording both musical and personal history or that

I was witnessing the high-water mark of progressive music. I thought it would last forever, but

in the back of my mind, I must have known that I had something special. With one or two exceptions

that I later regretted, I refused to trade tapes. Very few friends were ever given copies. I have

never considered selling them ñ I have too much respect for the artists. I protected my tapes for

decades, never knowing what to do with them as they sat dormant on a shelf. In 2010, I found the

time to make digital transfers of my tapes and rediscovered the amazing moments I had recorded. I

also found an answer: I needed to get these tapes to my friends that were with me, whose history I

had also captured, and to others who would appreciate this collection.

My equipment was low-tech but yielded surprisingly good results. Almost all of my recordings prior

to 1989 were made with the built-in condenser mic on a Sanyo desktop cassette recorder (model unknown).

When the unit began to fail in 1977, I replaced it with what I thought was a better recorder, but the

tapes were distorted. I quickly purchased a new Sanyo that was identical to my first and never again

attempted an upgrade. In 1989, I bought a smaller, Walkman-type unit ñ a Panasonic RX-SR29, which

performed nicely with its condenser mic. I was never interested in producing soundboard-quality

tapes, and was almost always happy with my ìsouvenirs.î I used TDK tapes initially, then Maxell.

Recording a concert was always an adventure. Through trial and error, I arrived at the following procedure:

To get past the ticket-takers, I wore loose pants and stuffed the recorder down the front where the odds of

being frisked were minimal. I wore a loose t-shirt or sweatshirt to cover the ìbulgeî and held my breath. The

dead batteries and cheap tape I kept in the recorder were occasionally confiscated, but my friends were already

inside with the real supplies. Once inside, I would meet my friends and exchange the batteries and tape. We had

excellent seats for many concerts, but that put us in close proximity to ushers and stage security. We needed to

be in a constant state of vigilance, and we were also busy with the timing of the tape-flips. I would occasionally

take photographs with a cheap camera, which gave me additional equipment to juggle. Without fail, someone in my

row would be in the wrong seat, and an usher would have to sort it out. It was all I could do to keep the recorder

hidden without covering the microphone. It was always chaotic, but the reward was great as we listened to the

concert again on the way home.

Iím indebted to all those who assisted and inspired me along the way: Gary, Steve, and Paul/Rich, Rob,

and Paul/John, Sue, Al, and Rich/Jody, Laurie, Danny, and Martha/Geri and Allison/Howie and Linda/Kathryn. Thanks

to Mike for all of his efforts. Most of all, thanks to my family ñ K, M, E, and B ñ for their support and patience.

You are cordially invited to enjoy these time capsules. There is always room for one more in our row, but

if we are loud or talkative, please donít judge us too harshly. We were swept away by the magic of the moment,

and we hope you will be too.

Lost Brook

January 2011

_____

1980-02-25 - Pink Floyd - Nassau Coliseum - Recorder 4

Nassau Veterans Memorial Coliseum, Uniondale, New York

*******************************************************************

Lineage: Unknown gen. cassette -> Sony HCD-EH26 -> wav -> NeroWaveEditor -> TLH -> flac

Track Listing:

cd 1:

01 MC

02 In The Flesh?

03 The Thin Ice

04 Another Brick In The Wall Part 1

05 The Happiest Days Of Our Lives

06 Another Brick In The Wall Part 2

07 Mother

08 Goodbye Blue Sky

09 Empty Spaces

10 What Shall We Do Now?

11 Young Lust

12 One Of My Turns

13 Don't Leave Me Now

14 Another Brick In The Wall Part 3

15 The Last Few Bricks

16 Goodbye Cruel World

cd 2:

01 Roger Advise

02 Hey You

03 Is There Anybody Out There?

04 Nobody Home

05 Vera

06 Bring The Boys Back Home

07 Comfortably Numb

08 The Show Must Go On

09 MC

10 In The Flesh

11 Run Like Hell

12 Waiting For The Worms

13 Stop

14 The Trial

15 Outside The Wall

https://mega.nz/file/hQZ1iYhS#nQcSZVu1klMpBSnatNVWTx1EFfH_oyiCTlt8gaR1NTI

 

Ramones Live - My Father's Place, Long Island, New York 1976-09-27

 Formato mp3 

Loudmouth

DeBeat on the Brat

Blitzkrieg Bop

I Remember You

Glad to See You Go

Gimme Gimme Shock Treatment

I Don't Wanna Go Down to the Basement

Now I Wanna Sniff Some Glue

53rd & 3rd

I Wanna Be Your Boyfriend

1, 2, 3, 7, 8, 9, and 10 from Ramones; 4, 5, and 6 from Leave Home. 

https://mega.nz/file/wLM03bQA#RJHs-iWAdkiRV_f7K1aY-kAr_LghukZW7E84ZsWvyWs