WOMAD Festival
Borrowed Analog Master -> CDRW700 -> EAC -> Soundforge -> FLAC Frontend Level 8
(probably recorded on a D6)
01. -intro-
02. Come Talk To Me
03. Quiet Steam / Steam
04. Across The River
05. Shaking The Tree
06. Blood Of Eden
07. Red Rain
08. Solsbury Hill
09. Digging In The Dirt
10. Sledgehammer
11. In Your Eyes
12. Biko
with Sinead O'Connor
https://mega.nz/file/K74AkCST#Du6aEfU1PkAefOQEDSDfmzXgMr7nEWla0OBYp7ymMJQ
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Opening Band(s): Youssou N’Dour
Le Super Etoile De Dakar
Source: Soundboard?
Gear: Unknown
Recorded by: Unknown
Transferred by: Unknown
Lineage: Soundboard? => cassette (low) => Stand-alone Pioneer CD burner => CDR => EAC => Magix Audio Cleaning Lab => Export to WAV => FLAC8 16/44.1
Comments:
- Excellent soundboard from Gabriel's summer 1987 tour of outdoor amphitheaters. By this time, he had been promoting the album for the better part of a year, so the set had pretty much jelled and the band was hitting on all cylinders. All of these performances were great.
- The recording itself . . . I traded for it from an established Gabriel collector in early 1988; he claimed it was a soundboard, and I'm pretty sure that it is. I don't know the generation, but given when I got it and how well-connected he was, I don't think it's more than two or three generations removed from the master.
- During "Biko" around the 4:00 mark the sound quality adjusts for the remainder of the song
- This performance of "Biko" was used in the music video to promote the film "Cry Freedom" and was issued on both a 1987 CD single (Virgin) and 12” vinyl by both Geffen and Virgin; Biko Single
Folder:
pg1987-07-27.flac16 Cuyahoga Falls, OH - Blossom Music Center (sbd)
Setlist:
01 Floating Dogs (pre-recorded tape) 02:02
02 San Jacinto 08:29
03 Red Rain 06:04
04 Shock The Monkey 06:53
05 Not One Of Us 06:23
06 Intruder 05:51
07 Games Without Frontiers 06:51
08 No Self Control 06:31
09 Mercy Street 08:01
10 Band Intros - This Is The Picture 06:39
11 Big Time 07:55
12 Don't Give Up 08:43
13 Solsbury Hill 05:27
14 Lay Your Hands On Me 08:12
15 Sledgehammer 06:22
16 Here Comes The Flood 02:47
Encore(s):
17 In Your Eyes (with Youssou N’Dour) 12:00
18 Biko 07:20
Band:
Peter Gabriel - Vocals/Synthesizer/ Piano
David Sancious - Keyboards
David Rhodes - Guitars
Tony Levin - Bass
Manu Katche - Drums
https://mega.nz/file/0zMgSDwS#mxOWSvMqusemduvmndD2aUfLObIVVqKq1cjRMWGr7tw
D3 Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC
01. Washing Of The Water (cuts in)
02. Solsbury Hill
03. Digging In The Dirt
04. Sledgehammer
05. Secret World
06. In Your Eyes
07. Biki
08. -the end-
very partial show
https://mega.nz/file/NX9nFQhT#sw3gfkM-o8QkmZanrkSHjjtus8HwsdwiBm_OQxcN_-o
Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC
01. D.I.Y. (cuts in)
02. Waiting For The Big One
03. -band introductions-
04. Whiter Shade Of Pale
05. Mother Of Violence
06. Slowburn
07. Flotsam And Jetsam
08. I Don't Remember
09. Solsbury Hill
10. Modern Love
11. Here Comes The Flood
12. The Lamb Lies Down On Broadway
13. Animal Magic
14. -outro-
15. -beachside interview-
https://mega.nz/file/kr0TGLaA#f0hftoMY8sQGwVbFe5R5yepPqzIKL6eEvwtjM3yNfO8
Peter Gabriel
Capital Centre,
Landover, MD.
June 22nd 1993
A GlenG Analog Master
Transferred and Presented By Krw_co
LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)>
CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR
KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8)
THE BAND
Peter Gabriel lead vocals keyboards harmonica rainstick tambourine
Tony Levin bass Chapman stick synthesizer backing vocals
David Rhodes guitar backing vocals
Manu Katché drums backing vocals
L. Shankar violin backing vocals
Levon Minassian doudouk
Joy Askew keyboards backing vocals duet vocals
And Many More
SETLIST
1 Come Talk to Me
2 Steam
3 Games Without Frontiers
4 Across the River
5 Shakin' the Tree
(tape flip edit at 00:39:45:18)
6 Blood of Eden
7 San Jacinto
8 Shock the Monkey
9 Washing of the Water
(tape flip edit at 01:08:31:09)
10 Solsbury Hill
11 Digging in the Dirt
12 Sledgehammer
13 Secret World
(tape flip edit at01:46:31:12)
14 In Your Eyes
15 Biko
16 Band Intro's and Goodbye
Many thanks to GlenG
If you have masters and/or known generation recordings that you need assistance with
transferring/archiving, please contact us via email at krwcoarchiving@gmail.com.
PLEASE DON'T ALTER OR SELL THIS RECORDING.
AS ALWAYS ENJOY CHEERS KRW_CO
PRRPSAE02-PETER GABRIEL
BROKEN EYES AND CONTACT LENSES
March 15, 1977 (Music Hall - Cleveland, Ohio)
1.1 Here Comes The Flood (Piano Version) 2:57
1.2 On the Air 4:08
1.3 Moribund The Burgermeister 4:47
1.4 Waiting For The Big One 7:53
1.5 A Song Without Words 3:53
1.6 Excuse Me 3:20
1.7 Solsbury Hill 5:17
1.8 Ain't That Peculiar 5:17
1.9 Why Don't We 7:08
1.10 Humdrum 4:19
1.11 Peter Talking 1:11
1.12 Slowburn 5:20
1.13 All Day And All Of The Night 4:12
2.1 Here Comes The Flood (Band Version) 4:12
2.2 Modern Love 4:37
2.3 Band Introductions 1:09
2.4 Down The Dolce Vita 10:36
2.5 Back In N.Y.C. 7:37
Bonus Track
2.6 Peter Gabriel Interview-Piccadilly Radio
(April 1977-Manchester, Lancashire) 4:38
Peter Gabriel - Lead Vocals, Piano, Flute and Percussions
Dusty Rhodes (aka-Robert Fripp) - Guitars & Effects
Steve Hunter- Lead Guitars
Tony Levin - Bass Guitars, Stick, Backing Vocals
Larry Fast - Synthesizers
Alan Schwartzberg - Drums, Percussion and Backing Vocals
Phil Aaberg - Keyboards and Backing Vocals
John Maelen - Percussion and Backing Vocals
YOU CAN KEEP MY THINGS ...
The tempest had died down. It was done.*Peter Gabriel had left Genesis in 1975 after The LAMB LIES DOWN ON BROADWAY tour and was now about to embark upon a whole new venture as a solo artist.*Phil Collins was the new lead singer of the band Gabriel had left behind, and with the albums A TRICK OF THE TAIL and WIND AND WUTHERING, both released in 1976, Genesis were enjoying new levels of success in album sales and concert attendances.*This prompted mixed feelings for their ex-frontman, as he would later explain: “It felt kind of strange for me. I mean, I was very happy for the guys because I knew they could make it without me but it’s strange how the way people feel about you can change so fast. When I was with Genesis, just because of the costumes and the stage shows, people assumed that I ‘was’ Genesis, that I was doing everything, which was a faulty vision that I constantly fought to dispel. But when I had left and the band was reaching new heights, people started to assume that I had done nothing, which was a bit ego-bruising, to say the least!”
With that in mind, Peter Gabriel now had to prove that he could stand alone and create his own musical world.*No easy task after such an incredible run with as great a band as Genesis was then, but Gabriel was never a man to shy away from a challenge. From the very start, he knew that he had to be as different from Genesis as possible, Both musically and visually - no more long and syncopated musical suites, no more batwings and flower masks.*The last months of 1975 and the first half of 1976 were spent at his home in Bath, resting with his family and slowly writing new material on the piano.*Having dug deep into his own musical background, he created a very special collection of songs, each of which had a distinct personality of its own, and he set about recording his first solo album.*In an effort to get away from the archetypal ‘English’ rock sound, Gabriel sought the help of American producer Bob Ezrin, well known for his work with Alice Cooper and Kiss.*Most of the resulting album was recorded at Soundstage Studio in Toronto, Ontario. Ezrin’s involvement in the project undoubtedly helped bring forth the raw sound that Gabriel was looking for, but it was the choice of musicians in his new recording band that would ultimately make this first solo album such a departure from Gabriel’s previous recorded work.
Steve Hunter’s harsh guitar licks and Allan Schwartzberg’s heavy drums were as far removed from the Hackett-Collins combination as could possibly be imagined, while Larry Fast’s discrete synthesizer work couldn’t be further away from Tony Banks’ huge presence on the keyboards. Add Tony Levin, an amazing bass player with a unique style of his own, and the brilliant ex-King Crimson guitarist Robert Fripp (who would insist on staying in the shadows, both on the album and the ensuing tour when he was referred to only as ‘Dusty Rhodes’) and you have all the elements needed to create an album as different from Genesis and progressive rock in general as a fly is from a windshield!*To further accentuate the contrast, Gabriel would also bring in orchestral arrangements for one of the songs, another first for the ex-Genesis angel.*One could still hear vague musical remnants of Peter’s days with Genesis in songs like “Moribund The Burgermeister” and “Down The Dolce Vita”, but for the most part this first solo effort was very fresh in its overall approach and it came as a delightful surprise to Peter Gabriel fans the world over.*The advertising campaign which accompanied the release of the album in February 1977 advised listeners to ‘Expect The Unexpected’.*Wise words indeed.
With the album and first single “Solsbury Hill” achieving deserved success, March 1977 saw Gabriel taking his new music out on the road.*Electing to avoid using costumes and elaborate stage choreography, Gabriel’s voice, body and music would now be the only weapons he would use to try and conquer a whole new audience.*The set list consisted of the new album in its entirety, along with early versions of new songs that would later appear on his second album and even a few covers.*By the time the tour reached the UK, the following month, “Why Don’t We?” had been dropped from the set, never to reappear live or in a recorded version.
Was the surprisingly heavy interpretation of Genesis’ “Back In NYC” as an encore a concession to his older fans?*Only Peter could tell us but after playing “The Lamb Lies Down On Broadway” on the 1978-79 tour for his second album, no more Genesis song would ever be included in the set list of a Peter Gabriel show.*The man was intent on making it on his own!*And it all began with the 1977 tour for his first album, from which we proudly bring you this exceptional recording of what was only Gabriel’s sixth ever solo performance.* We most certainly hope that you are going to enjoy it as much as we do.
PRRP Staff
Notes from the Re-Master
This recording comes to us as a CD copy of the master pre-FM reels. The show was initially broadcast in the Cleveland area which has lead to a number of versions of the recording being available to the public. But this is the first time to our knowledge that this pre-FM source has been available.
Despite its Pre-FM status there was still quite a bit of noise in this recording. Multiple techniques of noise reduction were tried but eventually an inversion-subtraction method was found to be most effective. This noise cancellation technique was variably applied throughout the show as needed to reduce the perceived noise. Manual removal of pops and clicks was necessary as was selective removal of an occasional buzz.
Tonality also needed a bit of adjustment. The original source was quite deficient in the bass and sub-bass components. Those were boosted. There were sections with prominent bass drum where even further bass enhancements were needed. Other sections were a little excessive in the treble range. Rather than a global treble reduction, a dynamic de-esser in the high treble range seemed most effective. This technique smoothed both the excessive sounding “SS” when sung and the occasional piercing character of the high toned instruments.
Track gaps were found and removed. Some audience noise was reduced in volume but not was cut in length. The discs were re-balanced because the interview was added at the end of the show. This required a mix-pasting of the original cut in the show but fortunately, no patch was necessary as the cut occurred during applause. Finally, a small amount of echo was added to enhance the sound. Since this was a soundboard recording the presence was a bit dry and the sound character of a truly live performance was lacking. Adding a bit of echo helped to correct this problem.
The Interview section had quite a bit of noise that needed reduction. Two different techniques were used to accomplish this. The tonality also needed adjustment. Bass was reduced and treble/midrange was enhanced to better understand the dialogue. Frequent pops and clicks occurred and were manually removed. Finally, the Right channel was suppressed compared to the left and so the two channels were re-balanced.
From 2003 to 2012 the Progressive Rock Remaster Project (PrrP) released 107 titles.
This torrent is the next one of those and my aim is to make all titles available for free download through The Traders' Den.
I will keep seeding each title for at least 2 weeks and aim to seed at least 1 every other day.
Please note that PRRP 012 will not be seeded as it has been offically released.
Each torrent will include original artwork and information files and be uploaded as Level 6 Flac.
FORMATO FLAC
1. The Rhythm of the Heat\
2. If I Ever Lose My Faith In You\
3. Banter\
4. No Self Control\
5. Invisible Sun\
6. Games Without Frontiers\
7. Shock the Monkey\
8. Secret World\
9. Driven to Tears\
10. Fragile\
11. Red Rain\
12. Dancing With the Moonlit Knight\
13. Message In a Bottle\
14. Don\'92t Give Up\
15. The Hounds of Winter\
16. Big Time\
17. Englishman In New York\
18. Solsbury Hill\
19. Every Little Thing She Does Is Magic\
20. If You Love Somebody Set Them Free\
21. Roxanne\
22. Love Can Heal\
23. Desert Rose\
24. In Your Eyes\
25. Acknowledgements\
26. Every Breath You Take\
27. Sledgehammer
https://mega.nz/file/1K0UXZJR#C6m8WJDID_Tvy29Azmi1ox18xs31zouwgbR2epHNGHY
Sting & Peter Gabriel
"Rock Paper Scissors" Tour
KeyArena
Seattle, WA
July 21, 2016
** 16 BIT **
Source: Shure MV88 iOS Digital Stereo Condenser Microphone > ShurePlus MOTIV Mobile Recording App > Apple iPhone 6s Plus @ 24 bit/48 kHz
Mastering: .WAV > Sound Forge Pro 11.0 Build 299 [Sony Clipped Peak Restoration plugin; iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging)
Location: Section 114, row 11
Recorded by: "Orso"
Mastered by: Dennis Orr
Setlist:
01 The Rhythm Of The Heat
02 If I Ever Lose My Faith In You
03 Chat
04 No Self Control
05 Invisible Sun
06 Games Without Frontiers
07 Shock The Monkey
08 Secret World
09 Driven To Tears (1)
10 Chat
11 Fragile
12 Red Rain (1)
13 Chat
14 Dancing With The Moonlit Knight >
15 Message In A Bottle
16 Don't Give Up
17 Drum Roll Intro > The Hounds Of Winter
18 Big Time
19 Englishman In New York
20 Solsbury Hill
21 Every Little Thing She Does Is Magic
22 If You Love Somebody Set Them Free
23 Roxanne >
24 Ain't No Sunshine >
25 In Your Eyes
26 Chat/Thanks
- Encore -
27 Every Breath You Take (with Band Intros)
28 Sledgehammer
(1) With Eddie Vedder - vocals
Peter Gabriel – vocals, keyboards, tambourine
Ged Lynch – drums, percussion
Tony Levin – bass, keyboards, backing vocals
David Rhodes – guitars, backing vocals
Angie Pollock – piano, keyboards, backing vocals
Jennie Abrahamson – vocals, flute, acoustic guitar
Linnea Olsson – vocals, cello
Sting – vocals, bass, guitar
Dominic Miller – guitars, bass, backing vocals
Vinnie Colaiuta – drums, percussion
David Sancious – piano, keyboards
Peter Tickell – violin, oud
Rhani Krija – percussion
Jo Lawry – vocals
Mastering Notes:
File changes during the applause after "Message In The Bottle" and "Chat/Thanks" - no music lost, faded in and out
Show notes:
Last night of 16 gig tour- all North America - no Europe.
Lots of arms around each other- very chummy. Lots of comparing chubby Peter to super fit Sting.
I think there was 18 people onstage including David Sancious , Tony levin...even a back up singer from 20 Yards From Stardom, who I am sure Sting was banging by their body language whenever they were near each other.
Neither Peter or Sting left the stage for more than 2 songs In a row.
They sang each others songs - Sting sang the Genesis song, Dance With The Moonlit Knight, etc.
Each band would also switch it up and or, play together.
Very unique format for a double bill. Everybody liked it.
Seattle's favourite son, Eddie Vedder, came out twice - once for Red Rain, and also for Driven To Tears.
Definitely worth the drive down.
Peter Gabriel
Wells Fargo Center
Philadelphia, PA
September 16, 2023
Scheops MK41's > Baby Nbox > Roland r07 > 24/48 WAV
(Section 114 Row 6)
Recorded by Joe Burns
***16 BIT/44.1Khz Fileset***
WAV>Magix Sound Forge Pro 16 (Fades, clap reduction, gain adjustments,Sampe Rate Conversion to 44.1Khz,POW-r Bit depth conversion to 16 BIT)>Trader's Little Helper (FLAC encoding)>Foobar 2000 (Track Tagging)
Set One:
01 Peter Gabriel Intro
02 Washing Of The Water
03 Growing Up
04 Panopticom
05 Four Kinds Of Horses
06 i/o
07 Digging In The Dirt
08 Playing For Time
09 Olive Tree
10 This Is Home
11 Sledgehammer
Set Two:
12 Darkness
13 Love Can Heal
14 Road To Joy
15 Don't Give Up
16 The Peter Gabriel 2023-09-16 Wells Fargo Center, Philadelphia, PA Schoeps MK41's (16-bit) (FLAC)
Peter Gabriel
Wells Fargo Center
Philadelphia, PA
September 16, 2023
Scheops MK41's > Baby Nbox > Roland r07 > 24/48 WAV
(Section 114 Row 6)
Recorded by Joe Burns
***16 BIT/44.1Khz Fileset***
WAV>Magix Sound Forge Pro 16 (Fades, clap reduction, gain adjustments,Sampe Rate Conversion to 44.1Khz,POW-r Bit depth conversion to 16 BIT)>Trader's Little Helper (FLAC encoding)>Foobar 2000 (Track Tagging)
Set One:
01 Peter Gabriel Intro
02 Washing Of The Water
03 Growing Up
04 Panopticom
05 Four Kinds Of Horses
06 i/o
07 Digging In The Dirt
08 Playing For Time
09 Olive Tree
10 This Is Home
11 Sledgehammer
Set Two:
12 Darkness
13 Love Can Heal
14 Road To Joy
15 Don't Give Up
16 The Court
17 Red Rain
18 And Still
19 Big Time
20 Live And Let Live
21 Solsbury Hill
22 In Your Eyes
23 Biko
17 Red Rain
18 And Still
19 Big Time
20 Live And Let Live
21 Solsbury Hill
22 In Your Eyes
23 Biko
https://mega.nz/file/XjJXUYCI#Tzh3uYJgPdZuP31QLF738QEUtmqDoiJpeTwm_z4pdlY
Peter Gabriel
TD Garden
Boston MA.
September 14th 2023
Krw_co HDR Master
Transferred and Presented By Krw_co
LINEAGE AUDIENCE ROLAND R-05 W/ SP-CMC-8 W/SP-SPSB-11 (W/ROLL OFF @ 69HZ)
SANS DISC 32GB SD CARD AT(24/96KHZ) WAV TO AUDIO CLEANING LAB FOR
KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TLH FLAC(LEVEL 8)
THE BAND
Peter Gabriel vocals piano
Tony Levin bass chapman stick
David Rhodes guitar
Manu Katche drums
Don-E keyboards
Richard Evans flute guitar
Ayanna Witter-Johnson cello vocals
Josh Shpak trumpet keyboards vocals
Marina Moore violin viola vocals
SETLIST
SET 1
1 Peter Gabriel Intro
2 Washing Of The Water
3 Growing Up
4 Panopticom
5 Four Kinds Of Horses
6 i/o
7 Digging In The Dirt
8 Playing For Time
9 Olive Tree
10 This Is Home
11 Sledgehammer
SET 2
12 Darkness
13 Love Can Heal
14 Road To Joy
15 Don’t Give Up
16 The Court
17 Red Rain
18 And Still
19 Big Time
20 Live And Let Live
21 Solsbury Hill
22 In Your Eyes
23 Peter Gabriel 2023-09-14 TD Garden Boston MA. Krw_co HDR Master (24-bit) (FLAC)
Peter Gabriel
TD Garden
Boston MA.
September 14th 2023
Krw_co HDR Master
Transferred and Presented By Krw_co
LINEAGE AUDIENCE ROLAND R-05 W/ SP-CMC-8 W/SP-SPSB-11 (W/ROLL OFF @ 69HZ)
SANS DISC 32GB SD CARD AT(24/96KHZ) WAV TO AUDIO CLEANING LAB FOR
KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TLH FLAC(LEVEL 8)
THE BAND
Peter Gabriel vocals piano
Tony Levin bass chapman stick
David Rhodes guitar
Manu Katche drums
Don-E keyboards
Richard Evans flute guitar
Ayanna Witter-Johnson cello vocals
Josh Shpak trumpet keyboards vocals
Marina Moore violin viola vocals
SETLIST
SET 1
1 Peter Gabriel Intro
2 Washing Of The Water
3 Growing Up
4 Panopticom
5 Four Kinds Of Horses
6 i/o
7 Digging In The Dirt
8 Playing For Time
9 Olive Tree
10 This Is Home
11 Sledgehammer
SET 2
12 Darkness
13 Love Can Heal
14 Road To Joy
15 Don’t Give Up
16 The Court
17 Red Rain
18 And Still
19 Big Time
20 Live And Let Live
21 Solsbury Hill
22 In Your Eyes
23 Biko
If you have masters and/or known generation recordings that you need assistance with
transferring/archiving, please contact us via email at krwcoarchiving@gmail.com.
PLEASE DON'T ALTER OR SELL THIS RECORDING.
AS ALWAYS ENJOY CHEERS KRW_CO
If you have masters and/or known generation recordings that you need assistance with
transferring/archiving, please contact us via email at krwcoarchiving@gmail.com.
PLEASE DON'T ALTER OR SELL THIS RECORDING.
AS ALWAYS ENJOY CHEERS KRW_CO
https://mega.nz/file/muhVhTKY#bQtMOJ1MYHRUE9TySyAKLGDnomx4dxe_P9XF028JsNk
Peter Gabriel
E.M. Loew's Theatre
Worcester, MA
July 27, 1983
(TapeTyrant Master Series Volume 69)
Recording: NAK 300 mics > Sony TC-D5
Transfer: Master Cassettes > Nakamichi DR-01 (azimuth adjusted) > Sound Devices USBPre2 > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC
01 Across The River
02 I Have The Touch
03 Not One Of Us
04 The Family And The Fishing Net
05 Shock The Monkey
06 Family Snapshot
07 Intruder
08 Humdrum
09 Games Without Frontiers
10 Lay Your Hands On Me
11 Solsbury Hill
12 I Don't Remember
13 San Jacinto
14 On The Air
15 Biko
Welcome to Volume 69 of our master series featuring the master recordings of dime member "tapetyrant". The series will predominately feature captures in the Northeast and Southern California areas. We will touch on multiple genres with a strong focus on Jazz Fusion, New Wave and Rock.
Tapetyrant was an active taper in the 1980's and much of the 1990's before, like many of us, hanging up the mics. What he captured during that time is uniformly excellent quality and his master tapes have been safely stored, the first batch are in pristine condition. Some shows may circulate from lower generation copies but most have remained uncirculated until now and have never circulated directly from the masters.
Prior to DAT, the heavy lifting was entirely done by a Sony D5 with NAK 300's and taping was serious business, acquiring the best seats possible and working to keep neighbors in check.
Volume 69 features a show previously released from a 1st generation copy, this is first azimuth adjusted, pitch adjusted and mastered release directly from TapeTyrant's master tapes.
Thanks as always to Goody for the continued pitch guidance.
Continued thanks to "tapetyrant" for doing such a great job capturing these historic shows, for reaching out and entrusting me to present his excellent work for all to enjoy for decades to come. We are indebted to his generosity (tapers don't let those tapes and your hard work get lost to the ages, there are plenty of folks to get in touch with here to help get them out, we're all working to leave no tape behind).
https://mega.nz/file/wyM3BLCS#2s1B1xa-7-TMUfIfiTWuJIReTR-e4OEueE1Cjji1-7E
Artist: Peter Gabriel
Venue: Arkea Arena, Floirac, France
Date: June 15, 2023
Taper: unaesfingelunar
Lineage: iPhone SE > m4a > Cubase (EQ, Compression...) > wav > TLH > flac (level 8)
01 intro
02 Washing of the Water
03 Growing Up
04 Panopticom
05 Four Kinds Of Horses
06 i/o
07 Digging In The Dirt
08 Playing For Time
09 Olive Tree
10 This Is Home
11 Sledgehammer
-
12 Darkness
13 Love Can Heal
14 Road To Joy
15 Don't Give Up
16 The Court
17 Red Rain
18 And Still
19 Big Time
20 Live And Let Live
21 Solsbury Hill
22 In Your Eyes
23 Biko
https://mega.nz/file/sftgFIxC#5oEun9PV2XfanCe8RLRIfcBskAnz4Zu7LH9Yhzt00ls
.jpg)
Grateful Dead 19780914 Giza, Egypt Sphinx Theatre Source: Soundboard Lineage: reel(m)(multitrack) > cass > DAT (48k) > Sony R500 ...
