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Second Day At Nassau
Notes:
Second day,2nd recorder? Well correct me if I am wrong but this is not the same source that I had prior to this one.Actually there are two variations of one that I know of.There is the Molm release and the other which is untitled or simple titled "Nassau/Nassau Coliseum" but both are the same recorder which is identified during "Nobody Home" where the taper actually says he has a microphone to security.Oddly enough,the untitled version that I have starts out with the intro to this source but then it's spliced back half way through where the sound gets a bit rough for a moment.So clearly someone filled in the other with this source at the beginning.
In any case, I was told that this came from the 1st gen tape but I can not confirm or deny this.There are some cuts to this recording.The beginning of "Young Lust" is cut,another at the end of "Don't Leave Me Now" and part of "Comfortably Numb" is also missing.I think that's it but I don't recall for sure.Anyway,enjoy what's there.Here's this setlist:
Disc One - 58:48
1.Intro - 2:10
2. In The Flesh? - 3:17
3. The Thin Ice - 3:17
4. Another Brick In The Wall (Part 1) - 5:12
5. Happiest Days Of Our Lives - 1:45
6. Another Brick In The Wall (Part 2) - 6:26
7. Mother - 8:20
8. Goodbye Blue Sky - 3:35
9. Empty Spaces - 2:25
10.What Shall We Do Now? - 1:45
11. Young Lust - 4:40
12. One Of My Turns - 4:00
13. Don't Leave Me Now - 3:59
14. Another Brick In The Wall (Part 3) - 6:27
15. Goodbye Cruel World - 1:20
Disc Two - 57:27
1. Hey You - 5:48
2. Is There Anybody Out There? - 3:13
3. Nobody Home - 3:28
4. Vera - 1:38
5. Bring The Boys Back Home - 1:29
6. Comfortably Numb - 7:17
7. The Show Must Go On - 2:45
8. Announcement - 2:47
9. In The Flesh - 5:40
10. Run Like Hell - 7:09
11. Waiting For The Worms - 4:46
12. Stop - 0:33
13. The Trial - 6:34
14. Outside The Wall - 4:20
Brought to you by:
-Chris-
C.S. Productions
www.csprodinc.com
aka
Saltshaker
DO NOT ENCODE TO ANY TYPE OF LOSSY FORMAT OR YOU MAY BRING VOODOO UPON YOURSELF!!!
_____
Pink Floyd : The Lostbrook Tape Series - Volume 8
Roger Waters did an outstanding job with The Wall in 2010. I was impressed enough
by the show in DC to see it again in Philadelphia, but you simply cannot compare it
to the 1980 tour. This concert is Pink Floyd. End of discussion. The Wall album
had been out for less than three months, but I had been there for some of the earlier
bricks in 1977, with fireworks exploding over my head and ìbottles breaking in the hall.î
I was fortunate that five out of the 31 concerts on the tour would be in my backyard.
I took no chances, called every scalper I knew, and acquired a seat in the seventh row
for sixty dollars. There is little I can add to what has already been said about the
concert, other than a personal observation I made at the time. Youíll hear it on the
tape - after the wall has come down, as the band is exiting, still playing Outside the Wall,
I declared it to be ìthe most beautiful momentî I had ever seen in a concert. Special
thanks to Allison and Ellen for their help with the camera and tapes.
February 25, 1980
Nassau Coliseum
Uniondale, NY
USA
Recording Equipment: Internal Mic - Sanyo tape deck - TDK SD C90 - Alesis TapeLinkUSB - Audacity - WAV
Taper: Lostbrook
Mastering: CQ
cd1
01 Introduction
02 In the Flesh
03 The Thin Ice
04 Another Brick In The Wall p1
05 The Happiest Days
06 Another Brick In The Wall p2
07 Mother
08 Goodbye Blue Sky
09 Empty Spaces
10 Young Lust
11 One Of My Turns
12 Don't Leave Me Now
13 Another Brick In The Wall p3
14 Goodbye Cruel World
15 Break
cd2
16 Hey You
17 Anybody Out There-Nobody Home-Vera-Bring The Boys Back Home
18 Comfortably Numb
19 The Show Must Go On
20 In The Flesh
21 Run Like Hell
22 Waiting For The Worms
23 Stop-The Trial-Outside The Wall
Tapers Story:
I first became enchanted by live performances after talking my way into the taping of
Dick Cavettís Woodstock Show on August 18, 1969 at WABC studios in New York. This was
quite an accomplishment for an eleven-year-old without a ticket. My first major concert
was The Rolling Stones at Madison Square Garden on July 25, 1972. I was so impressed with
the enormity of that event that I jumped at the chance to acquire some of the vinyl bootlegs
from the Exiles on Main Street tour. These recordings surely planted a seed in my mind, but
unfortunately, I waited over 25 concerts before attempting my first recording in late
1975. Over the next ten years, I recorded approximately 125 concerts in the New York City
area. In 1985, I moved to Virginia and recorded sporadically, accumulating a few dozen shows
in the Washington DC area over the next 15 years.
My motive for taping has always been selfish. I simply wanted to enjoy the performances over
and over again. I didnít realize that I was recording both musical and personal history or that
I was witnessing the high-water mark of progressive music. I thought it would last forever, but
in the back of my mind, I must have known that I had something special. With one or two exceptions
that I later regretted, I refused to trade tapes. Very few friends were ever given copies. I have
never considered selling them ñ I have too much respect for the artists. I protected my tapes for
decades, never knowing what to do with them as they sat dormant on a shelf. In 2010, I found the
time to make digital transfers of my tapes and rediscovered the amazing moments I had recorded. I
also found an answer: I needed to get these tapes to my friends that were with me, whose history I
had also captured, and to others who would appreciate this collection.
My equipment was low-tech but yielded surprisingly good results. Almost all of my recordings prior
to 1989 were made with the built-in condenser mic on a Sanyo desktop cassette recorder (model unknown).
When the unit began to fail in 1977, I replaced it with what I thought was a better recorder, but the
tapes were distorted. I quickly purchased a new Sanyo that was identical to my first and never again
attempted an upgrade. In 1989, I bought a smaller, Walkman-type unit ñ a Panasonic RX-SR29, which
performed nicely with its condenser mic. I was never interested in producing soundboard-quality
tapes, and was almost always happy with my ìsouvenirs.î I used TDK tapes initially, then Maxell.
Recording a concert was always an adventure. Through trial and error, I arrived at the following procedure:
To get past the ticket-takers, I wore loose pants and stuffed the recorder down the front where the odds of
being frisked were minimal. I wore a loose t-shirt or sweatshirt to cover the ìbulgeî and held my breath. The
dead batteries and cheap tape I kept in the recorder were occasionally confiscated, but my friends were already
inside with the real supplies. Once inside, I would meet my friends and exchange the batteries and tape. We had
excellent seats for many concerts, but that put us in close proximity to ushers and stage security. We needed to
be in a constant state of vigilance, and we were also busy with the timing of the tape-flips. I would occasionally
take photographs with a cheap camera, which gave me additional equipment to juggle. Without fail, someone in my
row would be in the wrong seat, and an usher would have to sort it out. It was all I could do to keep the recorder
hidden without covering the microphone. It was always chaotic, but the reward was great as we listened to the
concert again on the way home.
Iím indebted to all those who assisted and inspired me along the way: Gary, Steve, and Paul/Rich, Rob,
and Paul/John, Sue, Al, and Rich/Jody, Laurie, Danny, and Martha/Geri and Allison/Howie and Linda/Kathryn. Thanks
to Mike for all of his efforts. Most of all, thanks to my family ñ K, M, E, and B ñ for their support and patience.
You are cordially invited to enjoy these time capsules. There is always room for one more in our row, but
if we are loud or talkative, please donít judge us too harshly. We were swept away by the magic of the moment,
and we hope you will be too.
Lost Brook
January 2011
_____
1980-02-25 - Pink Floyd - Nassau Coliseum - Recorder 4
Nassau Veterans Memorial Coliseum, Uniondale, New York
*******************************************************************
Lineage: Unknown gen. cassette -> Sony HCD-EH26 -> wav -> NeroWaveEditor -> TLH -> flac
Track Listing:
cd 1:
01 MC
02 In The Flesh?
03 The Thin Ice
04 Another Brick In The Wall Part 1
05 The Happiest Days Of Our Lives
06 Another Brick In The Wall Part 2
07 Mother
08 Goodbye Blue Sky
09 Empty Spaces
10 What Shall We Do Now?
11 Young Lust
12 One Of My Turns
13 Don't Leave Me Now
14 Another Brick In The Wall Part 3
15 The Last Few Bricks
16 Goodbye Cruel World
cd 2:
01 Roger Advise
02 Hey You
03 Is There Anybody Out There?
04 Nobody Home
05 Vera
06 Bring The Boys Back Home
07 Comfortably Numb
08 The Show Must Go On
09 MC
10 In The Flesh
11 Run Like Hell
12 Waiting For The Worms
13 Stop
14 The Trial
15 Outside The Wall
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