Pink Floyd
Empire Pool
Wembly, London, UK
November 16, 1974
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First off, thanks to Dan for making the original 5.1 DVD-A in 2005. Since burning plastic discs is now just pointless and wasteful I extracted the files and converted them to 5.1 FLACs with foobar. I'm uploading this for those not inclined or too lazy to do that. This is just giving people the option of not future polluting the Earth. For those from a distant planet, do what works best for you but I seriously doubt you still have DVD players back on your home world.
Either way say, "Hi" to Elvis when you get back home.
Roman
6/18/2023
Additional lineage:
foobar>Mp3tag
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From the original notes:
01 [02:08] Speak To Me
02 [03:02] Breathe
03 [05:04] On the Run
04 [06:35] Time
05 [06:48] The Great Gig In The Sky
06 [08:14] Money
07 [07:46] Us And Them
08 [07:42] Any Colour You Like
09 [03:39] Brain Damage
10 [02:05] Eclipse
Encore
11 [23:28] Echoes
TT [76:31]
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Source Info
SBD
Pre FM Master Reel (SBD) > DAT > ? > SHN
Recorded by BBC Radio One broadcasted on the Alan Freeman
Show on 11th January 1975. This is taken from the original
pre-broadcast master tapes.
AUD
Unknown AUD Recording > ? > DAT > SHN
This is likely off cassette masters.
---------------------------------------------------------
Tech Notes
SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave. CEP2.0 was used to align &
synch both of the sources. CEP2.0 used to adjust the volume
for the AUD, center and LFE channels. DiscWelder was used
to author and create the DVD-Audio in 5.1. DVD Decryptor
read and created the ISO image file. This incorporates 6
channels of 16/44 wave files.
- Mixed by dan@am-dig.com
- FLAC conversion 01-APR-2005
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim DVD case.
- Special thanks to Swingin' Pig and the 30th Anniversary
Edition for many of the fabulous images used to create the
artwork.
---------------------------------------------------------
DVD-A Info
Front
Left Channel Pre FM (SBD) Reel
Right Channel Pre FM (SBD) Reel
Center
Mixed to mono -6db SBD+AUD Matrix
Surround
Left Channel -2db Unknown AUD
Right Channel -2db Unknown AUD
Sub/LFE
Mixed to mono -4db Pre FM (SBD) Reel
---------------------------------------------------------
Notes
The quieter portions AUD recording were quite a bit louder than
The Pre FM (SBD). I reduced the AUD by -2db in the rear channels.
In my experience louder rear channels is an undesirable effect.
d1t01 The line "I've been mad for fucking years" in Speak To Me
was removed from the Pre FM (SBD) source. This was not cut out
as the length of the song was still the same as the AUD. I tried
a number of edits to mix that line from the AUD into the SBD
source. I could not come up with an edit I considered smooth.
I was able to perform the same edit of this line on the AUD
source with a smooth and natural result. So this line has been
removed from both the SBD and the AUD source. This is smooth
and most likely undetectable.
d1t05 The Pre FM (SBD) source was missing 3.875 seconds between
The Great Gig In The Sky and Money. The AUD was the trimmed
accordingly to match. Being at the repetitive portion on the
end of the song, this is smooth and most likely undetectable.
d1t08 The AUD source cuts at 41:07.515 and is missing 1:36.33
of Any Colour You Like. I used the Pre FM (SBD) source mixed
with a repeating crowd cheer portion from the AUD recording to
add depth. I then applied a 1:46.333 patch with 5 second
crossfades on each end. The result is good but as this is a
source change it is still somewhat noticeable.
d1t09 You can get a good feel for the effect of sound travel
during the line "The lunatic is on the grass.". The sound
travel results in a small echo on the AUD source and can be
heard in the rear channels on the 5.1 and the matrix mix.
This is very interesting.
d1t10 The Pre FM (SBD) has a long portion of cheering and
tuning prior to the encore Echoes. Unfortunately this was
missing from the AUD source. The SBD was trimmed to match
and both sources has multiple edits, mixing and crossfades
were performed to keep the flow btwn the last song and the
encore sounding as natural as possible. The result was good
and this is smooth and most likely undetectable.
https://mega.nz/file/wuEHDBJZ#j7qtCGNoxkq1wEem3F_8DUD4NRWaFwdsEmLelzMQuxk
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